The Futurist Who Hated Time: Speed, Violence, and Politics in Early 20th Century Italy

Image title: The Crucifixion; The Last Judgment Medium: Oil on canvas, transferred from wood Date: ca. 1436–38 Source: The Met Collection   “ I never considered a difference of opinion in politics, in religion, in philosophy, as cause for withdrawing from a friend. ” — Thomas Jefferson The Futurist Who Hated Time: Speed, Violence, and Politics in Early 20th Century Italy   The Speed of Desire: An Introduction to Futurism In the chaotic blur of Read more…

Data Canvases: When Painters Collaborate with Coders

Image title: Self-Portrait with a Straw Hat (obverse: The Potato Peeler) Medium: Oil on canvas Date: 1887 Source: The Met Collection   “ We live in a society bloated with data yet starved for wisdom. We’re connected 24/7, yet anxiety, fear, depression and loneliness are at an all-time high. We must course-correct. ” — Elizabeth Kapu’uwailani Lindsey Data Canvases: When Painters Collaborate with Coders   Introduction: A New Brushstroke in the Digital Era What happens Read more…

The Graphic Revolutionaries of Zimbabwe’s Post-Independence Posters

Image title: The Adoration of the Magi Medium: Distemper on canvas Date: 1472–74 Source: The Met Collection   “ The energy of the mind is the essence of life. ” — Aristotle The Graphic Revolutionaries of Zimbabwe’s Post-Independence Posters   Introduction: Ink, Independence, and Identity In the heady days following Zimbabwe’s independence from British colonial rule in 1980, a wave of vivid, defiant poster art swept across the newly-liberated nation. These bold visual statements, created Read more…

Ink as Rebellion: Underground Chinese Brush Painting during the Cultural Revolution

Image title: Night-Shining White Medium: Handscroll; ink on paper Date: ca. 750 Source: The Met Collection   “ When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger and the other represents opportunity. ” — John F. Kennedy Ink as Rebellion: Underground Chinese Brush Painting during the Cultural Revolution   Introduction: Art in the Shadows of Revolution During the Chinese Cultural Revolution (1966–1976), official art was co-opted into a singular Read more…

‘Chisel Like a Woman’: Feminist Subversions in Stone from Egypt to Britain

Image title: Ia Orana Maria (Hail Mary) Medium: Oil on canvas Date: 1891 Source: The Met Collection   “ A rolling stone gathers no moss. ” — Publilius Syrus ‘Chisel Like a Woman’: Feminist Subversions in Stone from Egypt to Britain   Introduction: Stone as a Gendered Medium Stone has always conveyed permanence, power, and tradition. As a material historically associated with masculine labor—chiseled by men to immortalize kings, gods, and patriarchal ideals—it has rarely Read more…

When Skulls Were Fashion Statements: Memento Mori in 17th-Century Dutch Jewelry

Image title: A Peasant Family Medium: Oil on copper Date: ca. 1640–48 Source: The Met Collection   “ Technology is anything that wasn’t around when you were born. ” — Man Ray When Skulls Were Fashion Statements: Memento Mori in 17th-Century Dutch Jewelry   Introduction: Vanity, Mortality, and Sparkle In the gilded parlors and candlelit salons of 17th-century Europe, jewelry did more than shimmer—it spoke to the soul. Among the Dutch elite, rings carved with Read more…

‘Smell This Painting’: The Lost Scent Worlds of Classical Art

Image title: Fish hacha Medium: Stone, shell, traces of plaster, pigment Date: 600–900 CE Source: The Met Collection   “ Pitching is the art of instilling fear. ” — Sandy Koufax ‘Smell This Painting’: The Lost Scent Worlds of Classical Art   Introduction: Unlocking the Forgotten Sense Visual art has long captivated our eyes, inspired thought, and ignited emotion. But what if the art of the past engaged more than just our sense of sight? Read more…

‘This Is Not a God’: Deconstructing Colonial Museum Displays Through Indigenous Eyes

Image title: Rothschild lamp Medium: Bronze, on a later wood base Date: ca. 1510–20 Source: The Met Collection   “ People grow through experience if they meet life honestly and courageously. This is how character is built. ” — Eleanor Roosevelt ‘This Is Not a God’: Deconstructing Colonial Museum Displays Through Indigenous Eyes   Introduction: The Gaze That Froze the Sacred Walk into any major ethnographic museum and you’ll find glass-encased artifacts often stripped of Read more…

Papuan Shields and the Politics of Pattern

Image title: Hermann von Wedigh III (died 1560) Medium: Oil and gold on oak Date: 1532 Source: The Met Collection   “ A passion for politics stems usually from an insatiable need, either for power, or for friendship and adulation, or a combination of both. ” — Fawn M. Brodie Papuan Shields and the Politics of Pattern   Introduction: More Than Protection The fighting shields of Papua New Guinea stand as some of the most Read more…

Pixel Prophets: How Neural Networks Are Inventing a New Visual Language

Image title: The Crucifixion; The Last Judgment Medium: Oil on canvas, transferred from wood Date: ca. 1436–38 Source: The Met Collection   “ The most important thing is transforming our minds, for a new way of thinking, a new outlook: we should strive to develop a new inner world. ” — Dalai Lama Pixel Prophets: How Neural Networks Are Inventing a New Visual Language   Introduction: A New Era of Artistic Expression In darkened studios Read more…