The Mirror Cracked: Self-Portraiture from Caravaggio to Cindy Sherman

Image title: The Musicians Medium: Oil on canvas Date: 1597 Source: The Met Collection   “ There are two ways of spreading light: to be the candle or the mirror that reflects it. ” — Edith Wharton The Mirror Cracked: Self-Portraiture from Caravaggio to Cindy Sherman   Introduction: Reflections Across Time The self-portrait is one of the most enduring and revealing genres in the history of visual art. It is the artist’s declaration of presence, Read more…

Not Just Ink on Skin: Tattooing as Living Sculpture Across Cultures

Image title: Pendant mask of Ìyọ́bà Idià Medium: Ivory, iron, brass, coal, traces of iron oxides Date: 16th century Source: The Met Collection   “ As a water bead on a lotus leaf, as water on a red lily, does not adhere, so the sage does not adhere to the seen, the heard, or the sensed. ” — The Buddha Not Just Ink on Skin: Tattooing as Living Sculpture Across Cultures   Introduction: Skin as Read more…

Frescoes of Resistance: Political Murals Across Latin America

Image title: Plate with trumpeter Medium: Ceramic, slip Date: 700–800 CE Source: The Met Collection   “ The fact is, with every friendship you make, and every bond of trust you establish, you are shaping the image of America projected to the rest of the world. That is so important. So when you study abroad, you’re actually helping to make America stronger. ” — Michelle Obama Frescoes of Resistance: Political Murals Across Latin America   Read more…

‘Fossils of Expression’: Why Some Artists Paint Extinct Species

Image title: The Adoration of the Magi Medium: Distemper on canvas Date: 1472–74 Source: The Met Collection   “ The thoughts we choose to think are the tools we use to paint the canvas of our lives. ” — Louise Hay ‘Fossils of Expression’: Why Some Artists Paint Extinct Species   Introduction: Painting What No Longer Lives Art has always had a complicated relationship with time. While photographs capture a split second and sculptures suggest Read more…

Off the Wall: A History of Art Made to Be Touched

Image title: Quilt, Album pattern Medium: Cotton Date: begun 1846 Source: The Met Collection   “ History will be kind to me for I intend to write it. ” — Winston Churchill Off the Wall: A History of Art Made to Be Touched   Introduction: Rethinking the Visual in Visual Arts Art has long been considered a dominantly visual experience, bound to walls and gallery lighting. Yet, throughout history, artists and cultures across the globe Read more…

The Sculpted Mind: Neuroscience Meets Marble in Bernini’s Works

Image title: Paolo Giordano II Orsini, Duke of Bracciano Medium: Bronze, partially silvered Date: ca. 1632 Source: The Met Collection   “ Luck is what happens when preparation meets opportunity. ” — Seneca the Younger The Sculpted Mind: Neuroscience Meets Marble in Bernini’s Works   Introduction: A Mind Carved in Stone When we gaze upon Gian Lorenzo Bernini’s sculptures, we are often struck by a disarming sense of realism—not just in the tactile textures of Read more…

Venus Was Black?: Reimagining Classical Sculpture Through African Diasporic Lenses

Image title: Kneeling Black woman Medium: Brazilian rosewood; pedestal: lapis lazuli, marble and gilded metal Date: early 17th century Source: The Met Collection   “ There is nothing happens to any person but what was in his power to go through with. ” — Marcus Aurelius Venus Was Black?: Reimagining Classical Sculpture Through African Diasporic Lenses   Introduction: White Marble, Erased Histories For centuries, the pure white aesthetic of Greco-Roman sculpture has stood as a Read more…

From Atom to Abstract: Quantum Physics Meets Color Field Painting

Image title: Ia Orana Maria (Hail Mary) Medium: Oil on canvas Date: 1891 Source: The Met Collection   “ Luck is what happens when preparation meets opportunity. ” — Seneca the Younger From Atom to Abstract: Quantum Physics Meets Color Field Painting   Introduction: When Color Meets the Quantum Field In the mid-20th century, two seemingly disjoint disciplines—abstract painting and quantum physics—were undergoing seismic shifts. On one hand, artists like Mark Rothko, Barnett Newman, and Read more…

Maya Blue and Other Sacred Colors Lost to Time

Image title: Eagle relief Medium: Andesite or dacite, Maya blue, stucco, red pigment Date: 900–1200 CE Source: The Met Collection   “ The sum of wisdom is that time is never lost that is devoted to work. ” — Ralph Waldo Emerson Maya Blue and Other Sacred Colors Lost to Time   Introduction: The Mystery in the Hue The story of ancient art is not just carved in stone or painted on walls—it’s also baked Read more…

Stitching Borders: The Radical Politics of Embroidered Protest Art

Image title: Hermann von Wedigh III (died 1560) Medium: Oil and gold on oak Date: 1532 Source: The Met Collection   “ Pitching is the art of instilling fear. ” — Sandy Koufax Stitching Borders: The Radical Politics of Embroidered Protest Art   Introduction: Needles as Weapons of Resistance Historically dismissed as a domestic pastime or women’s work, embroidery has often remained on the margins of high art discourse. Yet, across continents and decades, textile Read more…